I’m working on a new solo performance for presentation at Volksroom – Ivo Dimchev’s private workspace in Brussels this February. They say there isn’t an underground scene in Brussels, but I beg to differ…more details soon!
DESCRIPTION: In ‘The man with sad eyes, or Wild Eyes’ Michael Helland excavates his recent creative history to compose a precarious live performance obstacle course. The roles he has played on stage, the roles he plays in public life, and the personal archetypes that define him become musings for an accidental performance that questions our notions of selfhood and propriety.










